He was nominated for two awards, the cast for best ensemble in a comedy.
Maron is between co-stars Betty Gilpin and Alison Brie. The cast of "GLOW" at the Screen Actors Guild Awards on January 21. I'm self-aware at this point, and the fact that he isn't enabled me to look like I was acting. Helpfully, too, Maron is not writing the show, which allows him to "turn off my own neurosis and focus on Sam's. I was never in Sam's position of leadership, of having power," he adds. "For me, having been somewhat of a puppet of my own ego, in a relatively destructive way, I get that. "Sam thinks he's bigger than he is, or thinks that it's only a matter of time before somebody understands his genius," says Maron. To play "a shameless, unapologetic bully," Maron drew on his own "dark years," struggling to make it as a comedian. This is a woman's show, and I respect that." I'm very aware of that, not only in the workplace but on screen. "To not be the center of attention, or strutting around, is new to me. "Seeing their process and seeing what they're going through, both on screen and off, that's a revelation," he says of the actors and writers. GLOW has provided the 54-year-old with not only the best reviews of his career but, thanks to a cast and crew that is 90 percent women, entrée into a world beyond comedy's traditional boy's club. He was never a huge stand-up guy-more of a cult favorite. He's looking like the star of his two Netflix comedy specials, including last year's Marc Maron: Too Real, which includes arguably the funniest bit about Mick Jagger on record. Maron's facial hair is back to normal today, which means more beard and a hipster soul patch. We all knew that guy.' That's kind of winning."ĭoing stand-up at Hilarity for Charity in 2016. "I didn't expect to win," says Maron, and he didn't, "but Frances McDormand came up to me at the SAG ceremony and said, 'I love you on that show. He's good enough that, earlier this year, he was nominated for three awards, two from the Screen Actors Guild and one Critics' Choice Award.
But the performance is an eye-opener for fans, too, since his only other leading role was playing a version of himself-a twice-divorced recovering addict and podcast host on the IFC show Maron. This is his first mainstream role, so for many viewers he's a revelation. "We had always wanted to tell the story of a misogynist dropped into the middle of 14 women and how that changes him," adds Flahive. It also helped that he found these aviator glasses that kind of instantly transformed him from Marc Maron." "The humor, the drug addiction, the swagger, the disappointments. "You could instantly see all these different sides of Sam," says Mensch, who hadn't considered casting the comedian before she saw his audition. When Maron read the script, he loved the part so much, he bought himself some aviator sunglasses, put on a polo and filmed a scene with his female trainer (standing in for Brie) on his iPhone.
For Sam, it's all about the mustache, a Tom Selleck–style soup strainer that's shorthand for sleaze.
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The comedy series, created by Liz Flahive and Carly Mensch, is set in 1985 and co-stars Alison Brie and Betty Gilpin as two of 14 struggling actresses attempting to create the first-ever TV show about female wrestlers-loosely based on a real '80s novelty series, GLOW: Gorgeous Ladies of Wrestling.įor the women, it's big hair and spandex.
Sam is the washed-up, coke-snorting, B-movie director that Maron plays on the comedy GLOW, which made its critically acclaimed debut last year and is returning for Season 2 on June 29. There was a little Sam Sylvia in Maron back then. "Yeah, drunky me, running around and sweating." "I spent a lot of time on this street," says Maron, "hanging around, going to the Hat. For eight bucks every Monday, you could catch the likes of Maron, Janeane Garofalo, Sarah Silverman, Patton Oswalt, Louis C.K. He points through the window, across the road, to another hotel: "That's where the Luna Lounge used to be." Between 19, the bar's legendary back room became a sanctuary for fans of indie rock (the Strokes and Interpol played their first shows there) and alternative comedy. We've met in the restaurant of the Ludlow Hotel, on the quickly gentrifying Lower East Side. The idea of loving your apartment? Back when I lived here, you wanted to spend as much time as possible away from it." "So you build a life where you live.…You have to love your house. traffic drives him nuts ("It makes you not want to go anywhere"), but he loves living in a house. Does he feel more Jewy in New York? "Sure, definitely," he says, and he misses the city, but he doesn't want to live here anymore.
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